"

Here’s the hook: as you play Risk: Legacy, the game changes. I don’t mean in the conventional sense of gameplay evolving as players become more experienced; I mean the game literally, physically changes. The components include an assortment of stickers, which players use to irrevocably alter play: stickers affixed to the board forever enhance or mar the topography, stickers added to cards permanently revise their value and utility, and so forth.

But wait, as they say: there’s more. The rules frequently ask–demand!–that players take up Sharpies and annotate the board, to name continents, record events, and scrawl their John Hancock on the “Winner’s List” to immortalize victories.

Meanwhile, some events require that cards be removed from the game, preferably by ripping them into confetti. The horror.

Thus, after your first game, you will be playing on a board unlike any other in existence, with cities positioned according to your whims, locations named by your opponents, and cards customized per the preferences of your game group.

And that’s just the beginning. The Risk: Legacy box contains a number of sealed packets and compartments, which are only opened when specific conditions are met (e.g., a single player wins his second game). Opening a cache may introduce to the mix new cards, new stickers, new rules, and even new pieces (maybe! I don’t even know!). The game was designed to be played at least 15 times, preferably with the same group of people.

"

defective yeti — Risk: Legacy

The Unprecedented Audacity of the iBooks Author EULA

dwineman:

Apple just released iBooks Author, a free Mac app for creating digital books for the new version of iBooks. I haven’t played with it much, but so far it looks like a very good tool. However, a curious thing happens when you go to export your work in iBooks format:

This restriction — that iBooks can be sold only in the iBookstore — isn’t enforced on a technical level. You can save the document, move it to your iPad in any of the usual ways (including just emailing it to yourself), and it happily opens in the iBooks app.

But if you look at the end-user license agreement (EULA) for iBooks Author, accessible via the app’s About box, the following bold note appears at the top:

IMPORTANT NOTE:
If you charge a fee for any book or other work you generate using this software (a “Work”), you may only sell or distribute such Work through Apple (e.g., through the iBookstore) and such distribution will be subject to a separate agreement with Apple.

And in section 2:

B. Distribution of your Work. As a condition of this License and provided you are in compliance with its terms, your Work may be distributed as follows:
(i) if your Work is provided for free (at no charge), you may distribute the Work by any available means;
(ii) if your Work is provided for a fee (including as part of any subscription-based product or service), you may only distribute the Work through Apple and such distribution is subject to the following limitations and conditions: (a) you will be required to enter into a separate written agreement with Apple (or an Apple affiliate or subsidiary) before any commercial distribution of your Work may take place; and (b) Apple may determine for any reason and in its sole discretion not to select your Work for distribution.

In other words: Apple is trying to establish a rule that whatever I create with this application, if I sell it, I have to give them a cut. And iBooks Author is free, so this arrangement sounds pretty reasonable.

Here’s the problem: I didn’t agree to it. Apple wants me to believe I did, of course, just by using the software:

PLEASE READ THIS SOFTWARE LICENSE AGREEMENT (“LICENSE”) CAREFULLY BEFORE USING THE APPLE SOFTWARE. BY USING THE APPLE SOFTWARE, YOU ARE AGREEING TO BE BOUND BY THE TERMS OF THIS LICENSE. IF YOU DO NOT AGREE TO THE TERMS OF THIS LICENSE, DO NOT INSTALL AND/OR USE THE SOFTWARE.

But that language is in the EULA itself, a contract of adhesion which I was not required to sign (or even indicate my agreement to by clicking) before installing the software. So, to paraphrase: By using this software, you agree that anything you make with it is in part ours. But if it can say that and have legal force, can’t it say anything? Isn’t this the equivalent of a car dealer trying to bind you to additional terms by sticking a contract in the glove compartment? By driving this car, you agree to get all your oil changes from Honda of Cupertino?

Apple, in this EULA, is claiming a right not just to its software, but to its software’s output. It’s akin to Microsoft trying to restrict what people can do with Word documents, or Adobe declaring that if you use Photoshop to export a JPEG, you can’t freely sell it to Getty. As far as I know, in the consumer software industry, this practice is unprecedented. I’m sure it’s commonplace with enterprise software, but the difference is that those contracts are negotiated by corporate legal departments and signed the old-fashioned way, with pen and ink and penalties and termination clauses. A by-using-you-agree-to license that oh by the way asserts rights over a file format? Unheard of, in my experience.

When I make something myself, no matter what software I use to make it, then — assuming it doesn’t infringe any copyrights — it’s my right to distribute it however I want, in whatever format I choose, for free or not. I don’t lose the right to publish my novel if Microsoft determines that I wrote it using a pirated copy of Word. Would I lose that right if I tried to sell my iBook outside of the iBookstore and Apple got wind of it? I don’t know; we’re in uncharted waters here. Or how about this: for a moment I’ll stipulate that Apple’s EULA is valid and I’ve agreed to it implicitly by using the software. Now suppose I create an iBook and give it to someone else who has never downloaded iBooks Author and is not party to the EULA, and that person sells it on their own website. What happens now?

In ensuring that the App Store remains the only legitimate market for iOS apps, Apple doesn’t claim any legal rights to the content I create using its Xcode toolset. Instead, they enforce technical restrictions; apps must be cryptographically signed by Apple in order to run on unaltered iOS devices. Is this a good situation? For Apple and for novice users, maybe, but for developers it sucks and causes massive headaches. But in a way it’s better than a world in which software can assert whatever rights it wants over your stuff just by hiding a few paragraphs in its glove compartment.

undercovernun:

socialsociety:

BLACK WALL STREET is not a record label started by The Game.
 Black Wall Street was the most prosperous black community in America during the 1920’s located in Tulsa, Oklahoma. It was known as “Little Africa” or “Black Beverly Hills”, a prime example of racial nationalism. To put into perspective of how money flowed in Black Wall Street, a dollar took 365 DAYS to leave the community, now a dollar leaves an African American Community every 15 MINUTES. The community had hundreds of businesses all negro owned and their motto was “To educate every child”. 
 June 1, 1921 white supremacists bombed BLACK WALL STREET and killed over 3000 people and destroyed over 600 businesses. 21 churches, 21 restaurants, 30 grocery stores, a hospital, bank, post office, and most schools were destroyed. The dead were buried in unmarked graves. It wasn’t till 1997 that Oklahoma decided to pass the “1921 Race Riot Reconciliation Act” which provided decedents of that area a free college education.
SMH AT AMERICAN HISTORY

It’s funny, the things we learn in American History in school, and then all the things we find out later that we never heard about.  I saw one person who reblogged this exclaiming that more people died in this one massacre than on 9/11, and yet, we never learned this in history class.  It is to our shame.
If you want to learn more, I suggest starting with the wikipedia pages for Greenwood, Tulsa and for the Tulsa race riot, and then checking out primary sources from the articles.
And may God have mercy on our souls.
EDIT: The more I read, the more my jaw drops.  The deliberate destruction of information from these days is sickening.  Newspaper editorials were completely disappeared, and evidence that white people were culpable was erased and intentionally lost.  Jesus weeps.  So do I.

wow. I spent a fair amount of time in history (world, American and otherwise) throughout elementary school, high school and my undergraduate years, and I don’t recall ever hearing about this before.

undercovernun:

socialsociety:

BLACK WALL STREET is not a record label started by The Game.

Black Wall Street was the most prosperous black community in America during the 1920’s located in Tulsa, Oklahoma. It was known as “Little Africa” or “Black Beverly Hills”, a prime example of racial nationalism. To put into perspective of how money flowed in Black Wall Street, a dollar took 365 DAYS to leave the community, now a dollar leaves an African American Community every 15 MINUTES. The community had hundreds of businesses all negro owned and their motto was “To educate every child”. 

June 1, 1921 white supremacists bombed BLACK WALL STREET and killed over 3000 people and destroyed over 600 businesses. 21 churches, 21 restaurants, 30 grocery stores, a hospital, bank, post office, and most schools were destroyed. The dead were buried in unmarked graves. It wasn’t till 1997 that Oklahoma decided to pass the “1921 Race Riot Reconciliation Act” which provided decedents of that area a free college education.

SMH AT AMERICAN HISTORY

It’s funny, the things we learn in American History in school, and then all the things we find out later that we never heard about.  I saw one person who reblogged this exclaiming that more people died in this one massacre than on 9/11, and yet, we never learned this in history class.  It is to our shame.

If you want to learn more, I suggest starting with the wikipedia pages for Greenwood, Tulsa and for the Tulsa race riot, and then checking out primary sources from the articles.

And may God have mercy on our souls.

EDIT: The more I read, the more my jaw drops.  The deliberate destruction of information from these days is sickening.  Newspaper editorials were completely disappeared, and evidence that white people were culpable was erased and intentionally lost.  Jesus weeps.  So do I.

wow. I spent a fair amount of time in history (world, American and otherwise) throughout elementary school, high school and my undergraduate years, and I don’t recall ever hearing about this before.

(via undercovernun)

"

A team at Cornell University, with support from Darpa, the Pentagon’s out-there research arm, managed to hide an event for 40 picoseconds (those are trillionths of seconds, if you’re counting). They’ve published their groundbreaking research in this week’s edition of the journal Nature.

This is the first time that scientists have succeeded in masking an event, though research teams have in recent years made remarkable strides in cloaking objects. Researchers at the University of Texas, Dallas, last year harnessed the mirage effect to make objects vanish. And in 2010, physicists at the University of St. Andrews made leaps towards using metamaterials to trick human eyes into not seeing what was right in front of them.

"

Wired: Pentagon Scientists Use ‘Time Hole’ to Make Events Disappear (via curiositycounts)

(via infoneer-pulse)

paxamericana:

mohandasgandhi:

Recall:

  • Since 1979, the income of the top 1% has increased by 275% even after taxes and income transfers.
  • Half of all workers in the United States make less than $26,364 a year.

Gee, I wonder why there are all these Occupy Wall Street protests. What could they possibly want?

(via wilwheaton)

crookedindifference:


The Greatest Paper Map of the United States You’ll Ever See

According to independent cartographers I spoke with, the big mapmaking  corporations of the world employ type-positioning software, placing  their map labels (names of cities, rivers, etc.) according to an  algorithm.
By contrast, David Imus worked alone on his map seven days a week for  two full years. Nearly 6,000 hours in total. It would be prohibitively  expensive just to outsource that much work. But Imus—a 35-year veteran  of cartography who’s designed every kind of map for every kind of  client—did it all by himself. He used a computer (not a pencil and  paper), but absolutely nothing was left to computer-assisted  happenstance. Imus spent eons tweaking label positions. Slaving over  font types, kerning, letter thicknesses. Scrutinizing levels of  blackness. It’s the kind of personal cartographic touch you might only  find these days on the hand-illustrated ski-trail maps available at posh  mountain resorts.

crookedindifference:

The Greatest Paper Map of the United States You’ll Ever See

According to independent cartographers I spoke with, the big mapmaking corporations of the world employ type-positioning software, placing their map labels (names of cities, rivers, etc.) according to an algorithm.

By contrast, David Imus worked alone on his map seven days a week for two full years. Nearly 6,000 hours in total. It would be prohibitively expensive just to outsource that much work. But Imus—a 35-year veteran of cartography who’s designed every kind of map for every kind of client—did it all by himself. He used a computer (not a pencil and paper), but absolutely nothing was left to computer-assisted happenstance. Imus spent eons tweaking label positions. Slaving over font types, kerning, letter thicknesses. Scrutinizing levels of blackness. It’s the kind of personal cartographic touch you might only find these days on the hand-illustrated ski-trail maps available at posh mountain resorts.

(via ilovecharts)

thedailywhat:

Movie Trailer of the Day: The first official trailer for Argentine filmmaker Juan Diego Solanas’ literal mind-bender Upside Down comes courtesy of French premium pay channel Canal+.

The highly anticipated sci-fi-fantasy romance stars Jim Sturgess and Kristen Dunst as universe-crossed lovers searching for a way to unite their inverted lives.

Set to open later this year.

[bleedingcool.]

there’s some kind of strange non-Euclidean geometry at work here …

there’s some kind of strange non-Euclidean geometry at work here …

(via welcometoaperaturescience)

wnycradiolab:

Wide World of Weevils!  After learning about the diamond weevil yesterday, I did a little weevil research.  Turns out there are a ton of beautiful, weird weevils out there.  Clockwise from top, we’ve got: giraffe weevil, some kind of bluish weevil from Thailand, spotted weevil, red palm weevil, acorn weevil, and amazing spiny weevil.

And oh by the way, there is a song about weevils too.

(Source: idefineme, via natureslut)